Skip to content
PopHits News

PopHits News

Pop Music

  • Home
  • About Us
    • About Us
    • Cookie Policy
    • Contact Us
Watch Online
  • Home
  • Artist
  • Ed Sheeran Wins Copyright Case For Shape Of You And Blasts ‘Baseless’ Claims
  • Artist
  • Music
  • News

Ed Sheeran Wins Copyright Case For Shape Of You And Blasts ‘Baseless’ Claims

Will Lisil 26 April 2022

Sheeran has won a copyright battle over his 2017 hit Shape of You.

On Wednesday, a judge ruled that the singer-songwriter did not plagiarize Sami Chokri’s 2015 song Oh Why.

Chokri, a grime artist who performs under the name Sami Switch, had claimed the “Oh I” hook in Sheeran‘s track was “strikingly similar” to an “Oh why” refrain in his own track.

After the ruling, Sheeran said such “baseless” claims “are way too common”.

Enjoying this article? Get more like it.

Get our latest articles delivered to your inbox.

In a video on social media, he said there was now a culture  “where a claim is made with the idea that a settlement will be cheaper than taking it to court, even if there’s no basis for the claim”.

He added: “It’s really damaging to the songwriting industry. There’s only so many notes and very few chords used in pop music.

“Coincidence is bound to happen if 60,000 songs are being released every day on Spotify. That’s 22 million songs a year and there’s only 12 notes that are available.”

Spotify‘s most-streamed song is Shape of You, the best-selling song in the UK in 2017.

  • Replay Value: Paul St. Blaise’s Holy Tableau Vivant (Joy to the World)
  • Conclusions by DAYS OF FATE Carries 1990s German Synthpop Into a 2026 Radio Edit
  • Rosalía Wins Latin Grammy Album of the Year for a Third Time With Lux
  • Make Up Your Mind Is Belz’s Upbeat First Step Toward an Eight-Song Story About Choosing Yourself
  • The Winter Sloths Spent Two Years on a Self-Titled Debut That Pairs Emo Guitars with Synth Melodies

Sheeran did not intentionally or subconsciously copy Chokri’s song, according to Judge Antony Zacaroli.

He acknowledged there were “similarities between the one-bar phrase” in Shape of You and Oh Why, but said “such similarities are only a starting point for a possible infringement” of copyright.

After studying the musical elements, he said there were “differences between the relevant parts” of the songs, which “provide compelling evidence that the ‘Oh I’ phrase” in Sheeran’s song “originated from sources other than Oh Why”.

According to him, there was only one “speculative foundation” for the defence’s case that Sheeran had heard Chokri’s song before writing Shape of You. “I find, as a matter of fact, that he had not heard it,” he said.

Sheeran wrote his chart-topping track with two collaborators, Snow Patrol’s John McDaid and producer Steven McCutcheon, who all denied hearing Oh Why before.

In 2018, the trio asked the High Court to declare they had not violated the copyrights of Chokri and his co-writer Ross O’Donoghue. The case led to an 11-day trial in London last month.

Ed Sheeran, who took the unusual step of preemptively suing Sami Chokri and Ross O’Donoghue in 2018 in an attempt to clear his name, will be hugely relieved by this ruling.

The accusation that he had copied another writer’s work without giving them credit hurt him greatly. The star was often abrupt and terse on the witness stand as he explained how, in several other cases, he shared royalties with writers who inspired him. He protested that some of the profits from Shape of You went to the writers of TLC’s No Scrubs.

In court, he sang Nina Simone’s Feeling Good and Blackstreet’s No Diggity to demonstrate that the melody he was accused of stealing was common in pop music.

Chokri exhibited more emotion. He said he felt “robbed” by an artist he respected and wished the case had never been tried. He remained adamant, though, that Sheeran had heard and copied his song.

Ultimately, the judge disagreed. Chokri had to prove Sheeran listened to his song in order for copyright infringement to be proven – otherwise the similarities would only be coincidental. However, Mr Justice Zacaroli said Chokri’s team had failed to establish that Oh Why had ever graced Sheeran’s speakers.

Since Sheeran has been the target of his fair share of copyright claims, he will no doubt hope that this verdict will make future litigants think twice.

The Shape of You songwriters filed a lawsuit in 2018 after their royalties were frozen when Chokri and O’Donoghue requested that their names be added to the hit’s credits as co-writers.

Shape of You earns Sheeran, McDaid and McCutcheon about £5m a year, the court heard, despite almost 10% of the payments having being frozen due to the dispute.

Mr Justice Zacaroli ruled Sheeran and his collaborators were justified in considering Chokri and O’Donoghue’s request for co-writing credits  “was a tactic designed to extract a settlement”.

Following the initial legal action, Chokri and O’Donoghue filed a counterclaim alleging copyright infringement.

In a statement released after the judgement, Sheeran, McDaid, and McCutcheon stated that their mental health and creativity had suffered as a result of the case, as well as their wallets.

“There was a lot of talk throughout this case about cost,” they said. “But there is more than just a financial cost. There is a cost to creativity. When we are tangled up in lawsuits, we are not making music or playing shows.

“There is a cost on our mental health. The stress this causes on all sides is immense. It affects so many aspects of our everyday lives and the lives of our families and friends. We are not corporations. We are not entities. We are human beings.”

Last month, Sheeran denied that he “borrows” ideas from unknown songwriters without acknowledgement, saying he is always “completely fair” in crediting people who contribute to his work.

Andrew Sutcliffe QC, representing Chokri and O’Donoghue, called Sheeran a “magpie”, claiming he “habitually copies” other artists and that it was “extremely likely” he had heard Oh Why previously.

Last month, Mr Sutcliffe said there was an “indisputable similarity” between the two works. Sheeran’s lawyer, however, said the case against him was “so strained as to be logically unintelligible”.

 Forensic musicologists were called by both sides to argue the case, giving contrasting views. One person argued the songs were “distinctly different”; the other said they were “significantly similar”.

About Author

Will Lisil

Director & Digital Creator at MW3.biz Ltd, United Kingdom.

See author's posts

Stay in the loop

Get our latest articles delivered to your inbox.

Replay Value: Paul St. Blaise's Holy Tableau Vivant (Joy to the World)
Article Christmas Songs Featured Music New Release News Shout-Out!

Replay Value: Paul St. Blaise’s Holy Tableau Vivant (Joy to the World)

Mia Prescott
13 November 2026
A Chamoru-American Singer's a Cappella Joy to the World Comes Back for Christmas Joy to the world, the Lord is…

Read More..

Conclusions by DAYS OF FATE Carries 1990s German Synthpop Into a 2026 Radio Edit
Article Featured Music New Release News Pop Shout-Out!

Conclusions by DAYS OF FATE Carries 1990s German Synthpop Into a 2026 Radio Edit

Mia Prescott
13 November 2026
A Song Made for a 1995 Maxi-CD Reaches Streaming Services for the First Time Conclusions now runs three minutes and…

Read More..

Rosalía Wins Latin Grammy Album of the Year for a Third Time With Lux

Rosalía Wins Latin Grammy Album of the Year for a Third Time With Lux

Make Up Your Mind Is Belz's Upbeat First Step Toward an Eight-Song Story About Choosing Yourself

Make Up Your Mind Is Belz’s Upbeat First Step Toward an Eight-Song Story About Choosing Yourself

The Winter Sloths Spent Two Years on a Self-Titled Debut That Pairs Emo Guitars with Synth Melodies

The Winter Sloths Spent Two Years on a Self-Titled Debut That Pairs Emo Guitars with Synth Melodies

LOKII Lands the Hook on RTBO, a Mind-Against-Heart Single Made for Dancing

LOKII Lands the Hook on RTBO, a Mind-Against-Heart Single Made for Dancing

Phil Lentz Presents... Vol. II Runs 11 Jazz Tunes in 29 Minutes, Cut to Pop Length

Phil Lentz Presents… Vol. II Runs 11 Jazz Tunes in 29 Minutes, Cut to Pop Length

FKA twigs Will Curate 11 Days of Meltdown and Headline One of Them

FKA twigs Will Curate 11 Days of Meltdown and Headline One of Them

Replay Value: Past Mirea's Soft Static Lyrics Say I Love You Only in Korean

Replay Value: Past Mirea’s Soft Static Lyrics Say I Love You Only in Korean

Shinsu Matrix EP Finds Its Hooks in IreQ Savage's Refrains and Four Areo Beats

Shinsu Matrix EP Finds Its Hooks in IreQ Savage’s Refrains and Four Areo Beats

Vamos Is the First Spanish-Language Single From Lola Parks, Recorded in Tenerife

Vamos Is the First Spanish-Language Single From Lola Parks, Recorded in Tenerife

Gloria May Byron Lands the Hook on Hold Me Close Now!, Written for Survivors of Disaster

Gloria May Byron Lands the Hook on Hold Me Close Now!, Written for Survivors of Disaster

Alik and Marina Tarraf Land the Hook on The Encore When Fujairah Calls for Boomerang

Alik and Marina Tarraf Land the Hook on The Encore When Fujairah Calls for Boomerang

Gracie Abrams Plays SNL on Halloween, 32 Days Before Her Arena Tour

Gracie Abrams Plays SNL on Halloween, 32 Days Before Her Arena Tour

Load More
Tags: copyright ed sheeran pop hits shape of you sheeran

Post navigation

Previous Lorde Explains ‘Dramatic Ass Move’ Of Shushing Fans During Show, Says ‘Don’t Stress Too Hard’
Next Miley Cyrus Announces Deluxe Version Of ‘Attention: Miley Live’

Related Stories

Replay Value: Paul St. Blaise’s Holy Tableau Vivant (Joy to the World) Replay Value: Paul St. Blaise's Holy Tableau Vivant (Joy to the World)
  • Article

Replay Value: Paul St. Blaise’s Holy Tableau Vivant (Joy to the World)

13 November 2026
Conclusions by DAYS OF FATE Carries 1990s German Synthpop Into a 2026 Radio Edit Conclusions by DAYS OF FATE Carries 1990s German Synthpop Into a 2026 Radio Edit
  • Article

Conclusions by DAYS OF FATE Carries 1990s German Synthpop Into a 2026 Radio Edit

13 November 2026
Rosalía Wins Latin Grammy Album of the Year for a Third Time With Lux Rosalía Wins Latin Grammy Album of the Year for a Third Time With Lux
  • Article

Rosalía Wins Latin Grammy Album of the Year for a Third Time With Lux

13 November 2026



About Us

PopHits.News

We mainly focus on Pop music, the independent artist industry, showbiz and events.

Recent Posts

  • Replay Value: Paul St. Blaise’s Holy Tableau Vivant (Joy to the World)
  • Conclusions by DAYS OF FATE Carries 1990s German Synthpop Into a 2026 Radio Edit
  • Rosalía Wins Latin Grammy Album of the Year for a Third Time With Lux
  • Make Up Your Mind Is Belz’s Upbeat First Step Toward an Eight-Song Story About Choosing Yourself
  • The Winter Sloths Spent Two Years on a Self-Titled Debut That Pairs Emo Guitars with Synth Melodies
  • LOKII Lands the Hook on RTBO, a Mind-Against-Heart Single Made for Dancing
  • Phil Lentz Presents… Vol. II Runs 11 Jazz Tunes in 29 Minutes, Cut to Pop Length
  • FKA twigs Will Curate 11 Days of Meltdown and Headline One of Them
  • Replay Value: Past Mirea’s Soft Static Lyrics Say I Love You Only in Korean
  • Shinsu Matrix EP Finds Its Hooks in IreQ Savage’s Refrains and Four Areo Beats

Categories


  • Home
  • About Us
Copyright © PopHits.News Portal - All rights reserved. | DarkNews by AF themes.
PopHits News
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
View preferences
  • {title}
  • {title}
  • {title}